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  • fine art candid photography, heavy grain, deep teal and amber colour palette, extremely shallow depth of field, very low light, near darkness. Close-up on her face, Bogna is holding a cocktail, black clothing, she is smiling at someone unseen, several barely seen figures in the background., (Bogna is 20ish Polish woman, extremely long straight black hair, no fringe), Hardly visible in the background is very dark blue kitchen, there are no white elements, the kitchen is indistinct and out of focus. Bottles in the foreground completely out of focus, soft bokeh of bottle necks and glass filling the lower frame, lights dissolving into soft colour blobs in the background, amber and teal neon bokeh consuming the upper frame, near total darkness, the neon the only light source, deep teal shadows filling the scene, her face the only clearly lit element. The foreground bottles as a soft abstract barrier, the viewer glimpsing her through the blur of glass, dark blue green and warm amber in equal tension, intimate and voyeuristic, the bar as a private world.
fine art candid photography, heavy grain, deep teal and amber colour palette, extremely shallow depth of field, very low light, near darkness. Close-up on her face, Bogna is holding a cocktail, black clothing, she is smiling at someone unseen, several barely seen figures in the background., (Bogna is 20ish Polish woman, extremely long straight black hair, no fringe), Hardly visible in the background is very dark blue kitchen, there are no white elements, the kitchen is indistinct and out of focus. Bottles in the foreground completely out of focus, soft bokeh of bottle necks and glass filling the lower frame, lights dissolving into soft colour blobs in the background, amber and teal neon bokeh consuming the upper frame, near total darkness, the neon the only light source, deep teal shadows filling the scene, her face the only clearly lit element. The foreground bottles as a soft abstract barrier, the viewer glimpsing her through the blur of glass, dark blue green and warm amber in equal tension, intimate and voyeuristic, the bar as a private world. fine art candid photography, heavy grain, deep teal and amber colour palette, extremely shallow depth of field, very low light, near darkness. Close-up on her face, Bogna is holding a cocktail, black clothing, she is smiling at someone unseen, several barely seen figures in the background., (Bogna is 20ish Polish woman, extremely long straight black hair, no fringe), Hardly visible in the background is very dark blue kitchen, there are no white elements, the kitchen is indistinct and out of focus. Bottles in the foreground completely out of focus, soft bokeh of bottle necks and glass filling the lower frame, lights dissolving into soft colour blobs in the background, amber and teal neon bokeh consuming the upper frame, near total darkness, the neon the only light source, deep teal shadows filling the scene, her face the only clearly lit element. The foreground bottles as a soft abstract barrier, the viewer glimpsing her through the blur of glass, dark blue green and warm amber in equal tension, intimate and voyeuristic, the bar as a private world.
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Bogna and her last guest, in the style of Wong Kar-wai.

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fine art candid photography, heavy grain, deep teal and amber colour palette, extremely shallow depth of field, very low light, near darkness. Close-up on her face, Bogna is holding a cocktail, black clothing, she is smiling at someone unseen, several barely seen figures in the background., (Bogna is 20ish Polish woman, extremely long straight black hair, no fringe), Hardly visible in the background is very dark blue kitchen, there are no white elements, the kitchen is indistinct and out of focus. Bottles in the foreground completely out of focus, soft bokeh of bottle necks and glass filling the lower frame, lights dissolving into soft colour blobs in the background, amber and teal neon bokeh consuming the upper frame, near total darkness, the neon the only light source, deep teal shadows filling the scene, her face the only clearly lit element. The foreground bottles as a soft abstract barrier, the viewer glimpsing her through the blur of glass, dark blue green and warm amber in equal tension, intimate and voyeuristic, the bar as a private world.
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OldCrow

Capturing the erotic of the missed moment
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fine art candid photography, heavy grain, deep teal and amber colour palette, extremely shallow depth of field, very low light, near darkness. Close-up on her face, Bogna is holding a cocktail, black clothing, she is smiling at someone unseen, several barely seen figures in the background., (Bogna is 20ish Polish woman, extremely long straight black hair, no fringe), Hardly visible in the background is very dark blue kitchen, there are no white elements, the kitchen is indistinct and out of focus. Bottles in the foreground completely out of focus, soft bokeh of bottle necks and glass filling the lower frame, lights dissolving into soft colour blobs in the background, amber and teal neon bokeh consuming the upper frame, near total darkness, the neon the only light source, deep teal shadows filling the scene, her face the only clearly lit element. The foreground bottles as a soft abstract barrier, the viewer glimpsing her through the blur of glass, dark blue green and warm amber in equal tension, intimate and voyeuristic, the bar as a private world.
fine art candid photography, heavy grain, deep teal and amber colour palette, extremely shallow depth of field, very low light, near darkness. Close-up on her breasts, side-view, Bogna her face is not visible, naked, small breasts with large nipples, head down, her hair hangs, a man is fucking her from behind, her is naked, his face is not visible, he has shaggy grey hair., (Bogna is 20ish Polish woman, extremely long straight black hair, no fringe), . Hardly visible in the background is very dark blue kitchen, there are no white elements, the kitchen is indistinct and out of focus. Bottles in the foreground completely out of focus, soft bokeh of bottle necks and glass filling the lower frame, lights dissolving into soft colour blobs in the background, amber and teal neon bokeh consuming the upper frame, near total darkness, the neon the only light source, deep teal shadows filling the scene, her face the only clearly lit element. The foreground bottles as a soft abstract barrier, the viewer glimpsing her through the blur of glass, dark blue green and warm amber in equal tension, intimate and voyeuristic, the bar as a private world.
fine art candid photography, heavy grain, deep teal and amber colour palette, extremely shallow depth of field, very low light, near darkness. Close-up on her face, Bogna is holding a cocktail, naked, small breasts with large nipples, a man embraces her from behind, he is a barely seen figure, he has shaggy grey hair., (Bogna is 20ish Polish woman, extremely long straight black hair, no fringe), Hardly visible in the background is very dark blue kitchen, there are no white elements, the kitchen is indistinct and out of focus. Bottles in the foreground completely out of focus, soft bokeh of bottle necks and glass filling the lower frame, lights dissolving into soft colour blobs in the background, amber and teal neon bokeh consuming the upper frame, near total darkness, the neon the only light source, deep teal shadows filling the scene, her face the only clearly lit element. The foreground bottles as a soft abstract barrier, the viewer glimpsing her through the blur of glass, dark blue green and warm amber in equal tension, intimate and voyeuristic, the bar as a private world.
fine art candid photography, heavy grain, deep teal and amber colour palette, extremely shallow depth of field, very low light, near darkness. Close-up on her face, Bogna is moaning, naked, small breasts, pussy, a man is kissing her breasts, he is a barely seen figure, he has shaggy grey hair., (Bogna is 20ish Polish woman, extremely long straight black hair, no fringe), Hardly visible in the background is very dark blue kitchen, there are no white elements, the kitchen is indistinct and out of focus. Bottles in the foreground completely out of focus, soft bokeh of bottle necks and glass filling the lower frame, lights dissolving into soft colour blobs in the background, amber and teal neon bokeh consuming the upper frame, near total darkness, the neon the only light source, deep teal shadows filling the scene, her face the only clearly lit element. The foreground bottles as a soft abstract barrier, the viewer glimpsing her through the blur of glass, dark blue green and warm amber in equal tension, intimate and voyeuristic, the bar as a private world.
fine art candid photography, heavy grain, deep teal and amber colour palette, extremely shallow depth of field, very low light, near darkness. Close-up on her waist, side-view, Bogna her face is not visible, naked, small breasts with large nipples, bending forward, a man is fucking her from behind, hands on her waist, penis, he is a barely seen figure, he has shaggy grey hair., (Bogna is 20ish Polish woman, extremely long straight black hair, no fringe), . Hardly visible in the background is very dark blue kitchen, there are no white elements, the kitchen is indistinct and out of focus. Bottles in the foreground completely out of focus, soft bokeh of bottle necks and glass filling the lower frame, lights dissolving into soft colour blobs in the background, amber and teal neon bokeh consuming the upper frame, near total darkness, the neon the only light source, deep teal shadows filling the scene, her face the only clearly lit element. The foreground bottles as a soft abstract barrier, the viewer glimpsing her through the blur of glass, dark blue green and warm amber in equal tension, intimate and voyeuristic, the bar as a private world.
cinematic lighting, 8mm film, soft shadows, intimate atmosphere, total darkness, instant-camera look focus, rich shadows, warm highlights, subtle teal in the darker areas, soft contrast, nostalgic color grade inspired by blade runner, extreme close-up, focus on her back, her hands grip a door frame, bending foward, she looks down, hair obscures her face, her face is mix of pain a pleasure, tears, a short man with untidy blond hair, stands behind, his thick cock in her anus, hands on her waist, his face is not visible, Simone young woman in her late-twenties, very tall and very thin, extremely small breasts, extremely long black hair falling shoulders, pale skin catching the faint available light, simple black abstract background, a parily visible interior of old vacant shop at night
fine art black and white photography, Scandinavian documentary aesthetic, Ilford HP5 pushed one stop, deep rich blacks, luminous skin tones, heavy grain. shallow depth of field, large format film boarder visible. Close-up image with focus on her buttocks, aroused, rear-view, face out of frame, anonymous, pale skin, natural, striped cotton underwear waistband with a small bow detail. Soft diffused natural light, no harsh shadows, the key and the navel the twin focal points, hair falling loosely into the edges of the frame, intimate and candid, completely unposed.
fine art black and white photography, Scandinavian documentary aesthetic, Ilford HP5 pushed one stop, deep rich blacks, luminous skin tones, heavy grain. shallow depth of field, large format film boarder visible. Close-up image with focus on her pussy, arroused pussy, tiny breasts with flat nipples, face and shoulders out of frame, very smooth skin, pale skin, plump stomach, natural and unretouched, a vintage key pendant on a fine cord necklace hanging against the bare skin. anonymous and innocent. Soft diffused natural light, no harsh shadows, the key and the navel the twin focal points, hair falling loosely into the edges of the frame, intimate and candid, completely unposed
fine art black and white photography, Scandinavian documentary aesthetic, Ilford HP5 pushed one stop, deep rich blacks, luminous skin tones, heavy grain. shallow depth of field, large format film boarder visible. Close-up image with focus on the buttocks, rear-view, face out of frame, anonymous, pale skin, natural, striped cotton underwear waistband with a small bow detail, a vintage key pendant on a fine cord necklace hanging against the bare skin. Soft diffused natural light, no harsh shadows, the key and the navel the twin focal points, hair falling loosely into the edges of the frame, intimate and candid, completely unposed.
Erin stands talking to a man, he hands her an ice cream, full body shot, low angle and from behind, a focus on her back, ice cream stand, Fine art candid photography, 35mm film, Ilford Delta 3200, pushed two stops, warm saturated film tones, slight grain, sun-bleached highlights, voyeuristic and observational, Erin is a very cute young nudist, tiny breasts, very smooth pussy, green eyes, medium length ginger hair, oiled skin, thin lips, no makeup, photorealism, beach, sunny, telephoto lens, Greece, 1993, sunny midday light, bright overexposed highlights on wet skin and sand, warm Mediterranean summer atmosphere, natural available light, no fill light, no studio lighting
SFW, eats a vanilla ice-cream she looks up at him with mild suprise, a man with stands just next her to with hand on her shoulder, his semi erect cock is visible, Fine art candid photography, 35mm film, Ilford Delta 3200, pushed two stops, warm saturated film tones, slight grain, sun-bleached highlights, voyeuristic and observational, Erin a young nudist, sitting facing the view, ginger hair, (tiny breasts), clean shaven pussy, oiled body, colourful beach towel, in the background girls walk past eating ice creams, photorealism, detailed freckles skin, oiled skin, sunny, telephoto lens, very low-angle Greece, 1993, sunny midday light, bright overexposed highlights on wet skin and sand, warm Mediterranean summer atmosphere, natural available light, no fill light, no studio lighting
fine art black and white photography, Scandinavian documentary aesthetic, Ilford HP5 pushed one stop, deep rich blacks, luminous skin tones, heavy grain. low angle, two woman and a man, she face down, he fucking her from behind, cock, penetration, in long wild grass by a still dark pond, wet hair, his face is not visible, she looks at viewer, her expressions serious and interior, not performing for the camera, a third person in the foreground watches on . Dense reeds and wildflowers pressing in around them, the dark pond reflecting, overcast northern light, no harsh shadows.
fine art black and white photography, Scandinavian documentary aesthetic, Ilford HP5 pushed one stop, deep rich blacks, luminous skin tones, heavy grain. shallow depth of field, large format film boarder visible. Close-up image with focus on the midriff, 3/4 viewe, tiny breasts, face and shoulders out of frame, anonymous, pale skin, plump stomach, natural, striped cotton underwear waistband with a small bow detail, hand pulls at panties, a vintage key pendant on a fine cord necklace hanging against the bare skin. Soft diffused natural light, no harsh shadows, the key and the navel the twin focal points, hair falling loosely into the edges of the frame, intimate and candid, completely unposed.
Jo is on her hands and knees, facing viewer, on the balcony, cream silk blouse hangs open, large breasts hang just visible, gray trousers, a bag dropped without ceremony, Extremely tight cropped image, face just out of the frame, very low angle, creative framing, painterly and muted, soft diffused light, stillness as a presence, large format film, Kodak Portra 160, subtle grain, wide framing, Jo a woman in her mid thirties, long chestnut brown hair down to below her waist, tan high heals, Gray trousers crumpled on the ground, Apartment balcony, the city behind her soft and indistinct, the heavy stillness of a Viennese summer afternoon, blurred and irrelevant, pale muted tones, warm stone, bleached sky, the heat visible in the washed out palette and heavy air, diffused even light with no harsh shadows, colour drained to ivory, warm grey and pale gold
11s
close-up, sitting hugging her knees, Dream like with a soft hazey focus, Fine art cinematic photography, dreamlike and quietly observed, washed out bleached colours, overexposed and hazy, large format film, Fujifilm Pro 400H pushed one stop, strong grain, tight framing, Maxine the sole focal point, Maxine, 35, thich pubic hair, straight blonde bob hair cut just above the shoulders, white linen blouse unbuttoned, medium-large natural breasts, dark brown eyes, relaxed with easy going expression, glass of wine beside her cushions on the floor, inside a rustic French frame house, late afternoon, the heat pressing in from outside, rustic bleached white walls, lime wahsed timber floor, harsh white daylight flooding through sheer curtains, the room dissolving into blown-out whites and pale shadows, no harsh contrast, everything soft and overexposed
Heavy analog grain, slightly overexposed, warm muted tones, dreamy and impressionistic, gauzy and ethereal. The composition is a close-up, centered on the Debbie as she looks down, she is squatting down. She is framed from the mid-torso upwards, her bent knees dominating the lower part of the image. The framing emphasizes her facial expression and upper body, while her lower body and the surrounding environment provide context. in the foreground Tyana stands with her back to the viewer, cropped below the shoulders., (Debbie is a young adult woman, slightly curvy figure, shorty pale pink beach-shirt open, medium breasts are just covered, shoulder length voluminous 1980s blond hair), ., (Tyana is an 18yo woman, slightly curvy figure, pink tie-side Bikini Bottom bikini bottoms, white t-shirt, brown hair), . Fine art photography, soft diffusion filter, Kodak Portra 160, the private moment interrupted, tender and slightly breathless, the viewer as intruder, the heat and the soft light making it feel like something half remembered, 1980s feel, natural poses. Bushes completely fills the background, the image is natural with no man-made elements.
Jo reclines, 3/4 viewer, on the balcony, cream silk blouse hangs open, large breasts hang just visible, gray trousers crumpled on the ground, pussy visible, a bag dropped without ceremony, Extremely tight cropped image, face not visible, very low angle, creative framing, painterly and muted, soft diffused light, stillness as a presence, large format film, Kodak Portra 160, subtle grain, wide framing, Jo a woman in her mid thirties, long chestnut brown hair down to below her waist, tan high heals, Gray trousers crumpled on the ground, Apartment balcony, the city behind her soft and indistinct, the heavy stillness of a Viennese summer afternoon, blurred and irrelevant, pale muted tones, warm stone, bleached sky, the heat visible in the washed out palette and heavy air, diffused even light with no harsh shadows, colour drained to ivory, warm grey and pale gold
close-up with a low-angle-shot, focus on her waist, total darkness, smoky, deep shadow, heavy grain, warm and cinematic, single defused backlight, faintly illuminated with a faint hint of blue the haze, the haze is more visible than the figure, the figure dissolved and softened by the smoke. The background is dark with no visible detail. Katie, sitting, her legs open, the light catches the cigar held loosely between her fingers, smoke rise from the cigar, the end of the cigar glows faintly, she exhales grey-blue smoke, utterly self-possessed., (Katie is a 20ish woman, dark orange transparent silk dressing gown open, short dark hair with fringe, her skin is pale and almost white, tiny breasts and nipple visible), eyes half open, expression languid and satisfied.
a young woman sitting, Marco photo, very tight framing, on the floor surrounded by scattered pornographic polaroids, an old box open beside her, polaroids scattered, pubic hair, an old study, soft afternoon window light falling across the photographs and her hands, candid intimate photography, warm golden tones, tight framing, the particular stillness of an unexpected discovery, she has stopped whatever she was doing, pulled into someone else's past, quietly transfixed
tightly cropped with a focus on her breasts and soft blond pubic hair, Fine art cinematic photography, staged and hyper-real, dreamlike and precisely observed, large format film, Kodak Portra 160, subtle grain, tight framing, Catherine, 30, very thin figure, soft blond pubic hair, long wild tightly curled blonde hair, black houndstooth mid-thigh skirt, delicate black cardigan buttoned up, breasts covered, white pantyhose, pink canvas sneakers, squatting facing the view, hands touching her hair, looking down and staring at nothing, the stillness of someone who has given up on the evening, the setting is next to vintage 1960’s Mecedes convertible with a green leather interior, dark garage, walls dissolved into black, instrument cluster casting a dim otherworldly glow across the interior, soft green and amber glow washing across her, deep shadow consuming everything beyond the car
A closeup image with tight framing, focus on Samantha's genitalia, having sex with a slightly plump man, his cock visible, man is barely visible in the darkness, her face is not visible, Hyperrealistic photograph staged in the renaissance style painting., (Samantha is 24, slightly plump with large natural breasts, shoulder length red head, hairy pussy, bronze colour dressing gown), . gripping sheets, catching the light, in a classical bedroom, dark background. Extreme chiaroscuro, deep shadow, dark earthy tones, dramatic and expressive lighting, a museum-quality masterpiece.
SFW, holds her dress up, extreme tight close-up on panties, her face is just visible, she leaning forward, blouse open with breast visible, he stands close behind, his face is not visible, he Lear's all black, his hand is reaching around to hold her breasts, her head is tiled back, Anaya, she is a slim young adult Indian, dark skin and small breasts, shoulder length flicked hair with small yellow daisy hair clip, (pale green short-sleeved blouse with a simple gray pinstripe, collar), grey pleated skirt, yellow panties small white daisy pattern, dream like image with extreme grain soft focus, strong vignette at corners, chiaroscuro effect, the only light source is dim red-green exit sign with strong halation effect, pitch black strong backstage theatre, deep hunter green curtain, almost black in the shadows, deep shadow consuming everything, staged and hyper-real, every shadow deliberate, the mood is a secret exploration, the stillness of someone trying not to be heard, quiet transgression
minimalist dark blue-gray background, day light is diffused through a gauze covered industrial window, Ingrid stands facing the viewer, Ingrid is the innocent young student, red hair loosely pinned in a messy bun, he has untidy blond hair, Rick is stroking his cock, his face is not visible, an easel in the background rich amber and linen tones, cinematic photography, soft grain, shallow depth of field, absorbed and private, the intimacy of creative work, warm nostalgic and timeless
close-up of Trease with a focus on her small breasts, her dress pulled aside, a gloms of her thick pubic hair, her gazes is intent and absorbed, in the foreground barely visible in the shadows a man is stroking his cock., (Trease is in her twenties, wears black velvet dress, black nylons, thick pubic hair, medium length brown hair, pale skin), (he is slim with untidy blond hair, his black shit hangs open), . The scene is pitch black, Sun streams through timber-blinds creating sharp blades of warm amber light, dark green almost black background, analogue film, soft grain, no visible furniture
Jo leans on balcony, 1/4 side view from behind, on the balcony, cream silk blouse hangs offer shoulders, back visible, focus on her back, Extremely tight cropped image cropped just above thighs, face not visible, very low angle, creative framing, painterly and muted, soft diffused light, stillness as a presence, large format film, Kodak Portra 160, subtle grain, wide framing, Jo a woman in her mid thirties, long chestnut brown hair down to below her waist, gray trousers pulled down exposing her buttocks, Apartment balcony, the city behind her soft and indistinct, the heavy stillness of a Viennese summer afternoon, blurred and irrelevant, pale muted tones, warm stone, bleached sky, the heat visible in the washed out palette and heavy air, diffused even light with no harsh shadows, colour drained to ivory, warm grey and pale gold
Focus on Annie's buttock, rear view, a man is standing behind her, he touches her buttocks, his face is not visible, he has shaggy blond hair, she has an expression is ofmild concern . Annie twentyish woman, slim figure, long straight brown hair, green eyes, thin lips, wearing a soft very fluffy white cardigan. Total darkness with cinematic chiaroscuro, the only light is a simple large lava lamp to side of the image, it is casting red and amber light across her skin, A simple very dark burgundy background is hardly visible darkness in the distance, analogue film, soft grain, the lamp the only light source, no flash photography.
dreamlike vintage film photo, soft focus, low contrast washed out colour, over exposed highlights, Lisa a 25 year old woman, medium breasts, untidy long blond hair, focus on her breastsk, looking away, reeds in the background, reeds in the foreground, warm hazy afternoon light, light catching the dust, Kodak Portra 160, soft grain, warm and languid, intimate and unposed, a drowsy summer afternoon
Cream silk blouse unbuttoned with hint of large natural breast visible, extreme tight close-up on her mouth and breasts, one hand is pinching her breasts, painterly and muted, soft diffused light, stillness as a presence, large format film, Kodak Portra 160, subtle grain, wide framing, Jo a woman in her mid thirties, long chestnut brown hair down to below her waist, A balcony, the heavy stillness of a Viennese summer afternoon, pale muted tones, warm stone, bleached sky, the heat visible in the washed out palette and heavy air, diffused even light with no harsh shadows, colour drained to ivory, warm grey and pale gold
monochromatic grey, warm grey tones, almost no colour in the image deep shadows, The lighting is dramatic, casting chiaroscuro shadows, very low angle, Eugénie stands, camara to viewer, looking down adjusting a small vintage Hasselblad camera Eugénie is a woman in her early forties, grey bob with a fringe, medium breasts just visible through her tranperant loose gray cotton dress, (in the forground an 18 year old voluptuous woman site nude, posing leaning forward, back to the viewer, her face is not visible), calm and unhurried, completely in her element, analog grain, quiet and observational, Simple almost black background
cinematic lighting, 8mm film, soft shadows, intimate atmosphere, total darkness, instant-camera look focus, rich shadows, warm highlights, subtle teal in the darker areas, soft contrast, nostalgic color grade inspired by blade runner, extreme macro, very hair pussy, buttocks, a cock in her arse, deep anal, no faces are visible, Simone young woman in her late-twenties, very tall and very thin, extremely long black hair falling, pale skin catching the faint available light, simple black abstract background, a parily visible interior of old vacant shop at night
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