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ะ”ะพัั‚ัƒะฟะฝะฐ ะฝะพะฒะฐั ะฒะตั€ัะธั, ะพะฑะฝะพะฒะธั‚ัŒ?

ะญั‚ะพั‚ ัะฐะนั‚ ะฟั€ะตะดะฝะฐะทะฝะฐั‡ะตะฝ ั‚ะพะปัŒะบะพ ะดะปั ะฒะทั€ะพัะปั‹ั…

ะ—ะฐั…ะพะดั ะฝะฐ ัั‚ะพั‚ ัะฐะนั‚, ะฒั‹ ะฟะพะดั‚ะฒะตั€ะถะดะฐะตั‚ะต, ั‡ั‚ะพ ะฒะฐะผ 18 ะปะตั‚ ะธ ะฑะพะปะตะต. ะŸะพะปัŒะทัƒัััŒ ัะฐะนั‚ะพะผ, ะฒั‹ ัะพะณะปะฐัˆะฐะตั‚ะตััŒ ั ะฝะฐัˆะธะผะธ ัƒัะปะพะฒะธัะผะธ ะฟั€ะตะดะพัั‚ะฐะฒะปะตะฝะธั ัƒัะปัƒะณ ะธ ะฟะพะปะธั‚ะธะบะพะน ะบะพะฝั„ะธะดะตะฝั†ะธะฐะปัŒะฝะพัั‚ะธ, ะฟะพะดั€ะพะฑะฝะพ ั€ะฐััะบะฐะทั‹ะฒะฐัŽั‰ะตะน ะพ ั‚ะพะผ, ะบะฐะบ ะผั‹ ัะพะฑะธั€ะฐะตะผ ะธ ะธัะฟะพะปัŒะทัƒะตะผ ะฒะฐัˆะธ ะดะฐะฝะฝั‹ะต.

ะ’ั‹ ะผะพะถะตั‚ะต ัะพะทะดะฐั‚ัŒ ะฝะพะฒะพะต ะธะทะพะฑั€ะฐะถะตะฝะธะต, ะธัะฟะพะปัŒะทัƒั ั‚ะตั… ะถะต ะณะตั€ะพะตะฒ

Masterpiece, full color image, 8K quality, "Breakfast on the grass"โ€” a painting by the French artist Edouard Manet, painted in 1863. two fully clothed men seducing a naked beautiful woman, bathing girl in the background in nature, a naked woman shamelessly looks directly at the viewer, the style of the painting breaks with the academic traditions of the time. The harsh "photographic" light eliminates semitones, and the men are dressed like dandies. They're so engrossed in the conversation that they don't seem to notice the women at all. In front of them lies discarded women's clothes, a fruit basket and round bread. In the background, a second woman in light clothes washes in the river. The painting puzzles with the "wrong" perspective, an excessively large female figure in the background in an autonomously illuminated, unreal space. The background of the painting lacks depth, giving the impression that the whole scene is not taking place in nature, but in a studio. This impression is enhanced by the light, which gives almost no shadows. The painting is made with oil paints. One women is getting fucked on the table. Perfect limbs

Beowulf

22

ะ’ัะต ะธะทะพะฑั€ะฐะถะตะฝะธั ัะพะทะดะฐะฝั‹ ะฝะฐัˆะธะผ ะธัะบัƒััั‚ะฒะตะฝะฝั‹ะผ ะธะฝั‚ะตะปะปะตะบั‚ะพะผ. ะžั‚ะบั€ะพะนั‚ะต ะบะฐั€ั‚ะธะฝะบัƒ, ะฝะฐะถะผะธั‚ะต ะบะฝะพะฟะบัƒ ะฟะพะฒั‚ะพั€ะธั‚ัŒ โ€” ัะพะทะดะฐะนั‚ะต ัะฒะพัŽ ะฒะตั€ัะธัŽ! ะ›ัŽะฑั‹ะต ัั…ะพะดัั‚ะฒะฐ ะผะตะถะดัƒ ัะณะตะฝะตั€ะธั€ะพะฒะฐะฝะฝั‹ะผ ะบะพะฝั‚ะตะฝั‚ะพะผ ะฝะฐ ัั‚ะพะผ ัะฐะนั‚ะต ะธ ั€ะตะฐะปัŒะฝั‹ะผะธ ะปัŽะดัŒะผะธ ัะฒะปััŽั‚ัั ัะพะฒะตั€ัˆะตะฝะฝะพ ัะปัƒั‡ะฐะนะฝั‹ะผะธ. ะ’ัะต ะ˜ะ˜-ัะณะตะฝะตั€ะธั€ะพะฒะฐะฝะฝั‹ะต ะณะตั€ะพะธ ัะฒะปััŽั‚ัั ัะพะฒะตั€ัˆะตะฝะฝะพะปะตั‚ะฝะธะผะธ!