A girl with medium golden blonde colored hair pulled back in an elaborate coiffure of intertwined dreadlocks decorated with baked clay beads and tiny silver pendants stands in the middle of an abandoned cemetery in the thick night. With her ample breasts, narrow waist and rounded hips, her figure is wrapped in a draping fabric in warm golden tones, reminiscent of the ancient veil of a priestess — the material shimmers in the moonlight, exposing the curves of her body and creating a contrast between sacred aesthetics and sensual appeal. A face with sharp cheekbones, a high forehead, and full lips the color of ripe cherries looks both fragile and dangerous, the eyes are lined with black eyeliner that accentuates the sky blue sparkles in the irises, and on the bridge of the nose you can see a thin vertical tattoo line that turns into a pattern on the forehead. A Gothic tiara of blackened silver with spikes and amethyst inserts crowns her head, combined with massive bracelets made of bone and turquoise, tiered obsidian beads and a necklace with an inverted crescent pendant. On the neck and wrists there are traces of ritual incisions, covered with amulets with engraved runes. She leans over the sagging headstone, resting her palm on the marble slab covered with moss and cracks, and her fingers, with their long nails painted black, touch the names carved on the stone. A wicked grin plays on her lips, revealing fangs with drops of blood-red luster, and sparks of witchfire flicker in the depths of her pupils. Shadows swirl around her, taking on the shapes of ravens and smoke, and a semi-transparent haze snakes under her feet, in which you can guess the silhouettes of skeletons. The moonlight filtering through the clouds sets off her figure, emphasizing both fragility and menace, sexuality and mystical power — she is like the embodiment of an ancient spell that attracts the eye with its demonic grace and promise of forbidden secrets, eyes of Alexandra D’Addario