Fine art cinematic photography, Paolo Roversi aesthetic, warm and ethereal, CineStill 800T, heavy grain, extremely shallow depth of field, warm amber and cool teal split, the blur and colour the entire mood.
Jenny is on her hands and knees, 3/4 view, close-up with a focus on her feet, close and intimate, (she has shoulder length blond hair loose and dishevelled, pale skin warm in the amber light, medium breasts, black stocking), direct gaze at the camera.
The room soft and dissolved behind her, warm amber bokeh on the left, cool blue teal light on the right, the background entirely abstract colour and soft light, the bed sheets pale and barely visible below her.
Extremely shallow depth of field, everything beyond dissolving into warm and cool bokeh, the amber and teal split lighting finding her form from both sides, intimate and close, the camera almost too near, the particular stillness of a hot afternoon.
Jenny enjoyed the afternoon, but she wasn't ready to say what she needed.
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Fine art cinematic photography, Paolo Roversi aesthetic, warm and ethereal, CineStill 800T, heavy grain, extremely shallow depth of field, warm amber and cool teal split, the blur and colour the entire mood.
Jenny is on her hands and knees, 3/4 view, close-up with a focus on her feet, close and intimate, (she has shoulder length blond hair loose and dishevelled, pale skin warm in the amber light, medium breasts, black stocking), direct gaze at the camera.
The room soft and dissolved behind her, warm amber bokeh on the left, cool blue teal light on the right, the background entirely abstract colour and soft light, the bed sheets pale and barely visible below her.
Extremely shallow depth of field, everything beyond dissolving into warm and cool bokeh, the amber and teal split lighting finding her form from both sides, intimate and close, the camera almost too near, the particular stillness of a hot afternoon.