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a photorealistic image in the style of a cinematic trailer based on Name of the Rose, (1986), showcasing a librarian, a restorer repairs an ancient volume. Visual Style, historical movie, with elements intimacy Setting, in library. The atmosphere is very intimate . The photograph shows a librarian. she is wearing a shirt and an apron. she's sitting on a chair. she holds a paintbrush and spreads glue on a very old book.. She looks at the book with a great attention. Technical Details, Lighting, Rembrandt – deep shadows, darkness, (the face illuminated by a warm light), . Color, Dark shadows +cool accents, (as in basic instinct of Verhoeven), but with enhanced blue light for a erotic feel. Atmosphere, The photograph should feel respondent. The ending leaves a sense of quietude. Key Motifs, Visual Imagery, Name of the Rose . Lighting, Jean Jacques Annaud's work in Name of Rose, . High definition, 8K, HD, high quality, high detail, good lighting, beautiful, epic, masterpiece

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a photorealistic image in the style of a cinematic trailer based on Name of the Rose, (1986), showcasing a librarian, a restorer repairs an ancient volume. Visual Style, historical movie, with elements intimacy Setting, in library. The atmosphere is very intimate . The photograph shows a librarian. she is wearing a shirt and an apron. she's sitting on a chair. she holds a paintbrush and spreads glue on a very old book.. She looks at the book with a great attention. Technical Details, Lighting, Rembrandt – deep shadows, darkness, (the face illuminated by a warm light), . Color, Dark shadows +cool accents, (as in basic instinct of Verhoeven), but with enhanced blue light for a erotic feel. Atmosphere, The photograph should feel respondent. The ending leaves a sense of quietude. Key Motifs, Visual Imagery, Name of the Rose . Lighting, Jean Jacques Annaud's work in Name of Rose, . High definition, 8K, HD, high quality, high detail, good lighting, beautiful, epic, masterpiece

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a photorealistic image in the style of a cinematic trailer based on National Treasure, Book of Secrets, showcasing a librarian, a restorer repairs an ancient volume. Visual Style, adventure movie, with elements intimacy.
Setting, in library. The atmosphere is very intimate .
The photograph shows a librarian. she is wearing a shirt and an apron. she's sitting on a chair. she holds a paintbrush and spreads glue on a very old book.. She looks at the book with a great attention.
Technical Details, Lighting, Rembrandt – deep shadows, darkness, (the face illuminated by a warm light), .
Color, Dark shadows +warm accents, (as in Barry Lyndon of Stanley Kubrick), .
Atmosphere, The photograph should feel serene. The ending leaves a sense of quietude.
Key Motifs, Visual Imagery, .
Lighting, Jon Turteltaub's work in National Treasure, Book of Secrets.
High definition, 8K, HD, high quality, high detail, good lighting, beautiful, epic, masterpiece

a photorealistic image in the style of a cinematic trailer based on National Treasure, Book of Secrets, showcasing a librarian, a restorer repairs an ancient volume. Visual Style, adventure movie, with elements intimacy.
Setting, in library. The atmosphere is very intimate .
The photograph shows a librarian. she is wearing an opened shirt and an apron. she's sitting on a chair. she holds a paintbrush and spreads transparent glue on a very old book.. She looks at the book with a great attention.
Technical Details, Lighting, Rembrandt – deep shadows, darkness, (the face illuminated by a warm light), .
Color, Dark shadows +warm accents, (as in Barry Lyndon of Stanley Kubrick), .
Atmosphere, The photograph should feel serene. The ending leaves a sense of quietude.
Key Motifs, Visual Imagery, .
Lighting, Jon Turteltaub's work in National Treasure, Book of Secrets.
High definition, 8K, HD, high quality, high detail, good lighting, beautiful, epic, masterpiece

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short black hair, in post nuclear desert, woman short unbuttoned and unzipped nylon fully blue work jumpsuit, vault suit, leather shoulder pads, 13 yellow number on the back, leather belt, combat boots, (((show nipples))), monster fucking woman, skull, vaginal penetration, lying on side, screaming, cum, cumming, raw, Portrait, professional, color, grading, Lucy, wearing, a, Vault, Suit, with, Leather, Armor, and, PipBoy, on, her, wrist, his, <lora:MJ52:2>, <lora:208210_training_data:2>, <lora:Lucy:.3>, <lora:312968_training_data:1.2>

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a photorealistic image in the style of a cinematic trailer based on Dune, showcasing the mysterious Bene Gesserit. Visual Style, Dark, unhurried, with elements of psychological horror and mysticism—like the films of David Lynch, but with an emphasis on feminine power and sacred danger.
Setting, A dark chamber deep on Wallach IX, where the bene gesserit's order is located. The place is mystical, we can feel a cosmic presence there, because of the fumes from the spice.
The photograph shows the 40 years-old, mother superior, of Bene Gesserit. She stands there menacingly, (((She has otherworldly eyes, (blue:1.3)))), ((((She is fully naked)))), (she's wearing only a large cloak, which reveals her perfect body, with desirable breasts, (((Her naked body is both attractive and sacred)))), .
Technical Details, Lighting, Rembrandt – deep shadows, the face illuminated by a cool blue light.
Color, Dark shadows + orange accents, (as in Dune 1984), but with enhanced blue for a mystical feel.
Atmosphere, The photograph should feel simultaneously sacred and brutal – the viewer should be simultaneously intrigued and terrified. Mother superior is vulnerable and worried, but she's a charismatic priestess whom gaze is hypnotic, and her gaze reflects her wisdom . The ending leaves a sense of mystery.
Key Motifs, Visual Imagery, Scenes with the Bene Gesserit from Dune, (1984), .
Lighting, Greg Frazer's work in Dune, (2021), (contrast of shadow and light), .
High definition, 8K, HD, high quality, high detail, good lighting, beautiful, epic, masterpiece

a photorealistic image in the style of a cinematic trailer based on Dune, showcasing the mysterious Bene Gesserit. Visual Style, Dark, unhurried, with elements of psychological horror and mysticism—like the films of David Lynch, but with an emphasis on feminine power and sacred danger.
Setting, A dark chamber deep on Wallach IX, where the bene gesserit's order is located. The place is mystical, we can feel a cosmic presence there, because of the fumes from the spice., (Full length photograph), . The photograph shows the mother superior, of Bene Gesserit. She stands there menacingly, (((She has otherworldly eyes, (blue:1.3)))), ((((She is fully naked)))), (((her head is shaved)), and she's wearing only a rich cloak with collar, which reveals her perfect body, with desirable breasts and virginal vagina, (((Her naked body is both attractive and sacred)))), .
Technical Details, Lighting, Rembrandt – deep shadows, the face illuminated by a cool blue light.
Color, Dark shadows + orange accents, (as in Dune 1984), but with enhanced blue for a mystical feel.
Atmosphere, The photograph should feel simultaneously sacred and brutal – the viewer should be simultaneously intrigued and terrified. Mother superior is vulnerable and worried, but she's a charismatic priestess whom gaze is hypnotic, and her gaze reflects her wisdom . The ending leaves a sense of mystery.
Key Motifs, Visual Imagery, Scenes with the Bene Gesserit from Dune, (1984), .
Lighting, Greg Frazer's work in Dune, (2021), (contrast of shadow and light), .
High definition, 8K, HD, high quality, high detail, good lighting, beautiful, epic, masterpiece