A cool 35mm film photograph. Woman in her early thirties. Stacked, with huge natural breasts, a narrow waist and a flat, toned stomach, a fair Scandinavian complexion, light eyes, sunlit glazed skin with a natural sheen, black hair, in a loose updo, brown eyes, a smooth, broad forehead, champagne eyeshadow, a fine-line anchor tattoo on her inner forearm, crisp black ink against her bare skin, a small gold ring in her nostril, a defined line where each thigh meets her seat, the hamstring curve clean. She wears a deep burgundy deep burgundy velvet gown, the plush fabric draping over her shoulders and pooling at her feet, a high collar at her throat, her skirt hiked up, exposing her. The subject is twerking, her hips snapping back in a fast rhythm, her ass bouncing, one hand on her thigh, looking back over her shoulder. The setting is a warm ceiling glow floating above a darkening Tokyo skyline. The scene takes place in midday. The body position is standing with her back arched, the empty floor behind her, she is alone, with a knowing smirk, one brow raised. The image uses a wide shot of a single figure, one woman, showing her full body, a selfie angle from her own phone, the camera held low in front of her and a locked-off framing. Lighting is hard, direct light with crisp shadow edges. The final treatment uses the oval bokeh and horizontal flares of anamorphic glass and rich filmic colour with lifted blacks.