Paris, 1912. A young woman of the Belle Époque—young, beautiful, and uninhibited—sits behind the wheel of a black open-top Ford Model T, driving against the backdrop of the Arc de Triomphe in Paris. The woman sits on the convertible’s black leather seat, her gaze calm and slightly distant. She has pale, porcelain skin and dark chestnut hair styled in soft curls and a long ponytail. She is nude. On her head is a huge cream-white hat adorned with lush ostrich feathers, satin ribbons, and artificial flowers. Around her neck is a lace choker with a large bow, and on her wrists are lace fabric bracelets. Her hands rest on the steering wheel. The car is a classic black 1911 Ford Model T, with a brass radiator clearly bearing the word “Ford, ” two large brass headlights, a black leather interior with button-tufted upholstery, a folded-down black convertible top, and a straight windshield. The sky is overcast, with soft, diffused daylight and a light haze, the leather, lace, brass, and lacquered body of the car are rendered in high detail, it features cinematic depth of field and a soft bokeh—a masterpiece, extremely detailed and photorealistic.