A dynamic shot. Full-body, close-up framing. Cinematic composition, a tall, large-framed 55-year-old woman—a striking, mature lady—lies on her stomach on a sofa. Her skin is tanned and glistening with sweat, she wears slide sandals, and her face is frozen in terror, her eyes wide open. She has very full, sagging breasts and a large, thick, rounded posterior. She gazes in alarm at two young, brazen male students. Their trousers are pulled down, and their genitals are aroused and moist, they have pinned the woman to the sofa and are engaging in sexual intercourse with her. One student holds her by the shoulders, while the other—with his pants down—is positioned behind her, performing penetration. A full-body, ultra-realistic shot, set during the day. The woman is nude, her hair pulled back into a low bun, she wears a short, light-blue robe with red polka dots, which is left wide open. She has very wide hips and long, heavily sagging breasts—her skin glistening with sweat. The setting is the interior of an old post-Soviet apartment, (a "khrushchevka"), creating an oppressive, unsettling atmosphere. A narrow hallway connects the kitchen to the living room. The walls are painted a grey-green, dull-turquoise color, the surfaces are uneven, showing defects, cracks, and clear signs of dilapidation. In places, the plaster has crumbled away, underscoring the general state of neglect. Exposed utility lines—electrical wiring in plastic conduits and pipes—run along the walls. The ceiling is low, plastered, and tinted a grey-green hue. Pipes, (for water supply or heating), and bundles of electrical wires run along it. The pipes are old, made of metal, and painted a dark color. The floor is covered in dark-brown wooden parquet laid in a herringbone pattern. A solid, paneled door is visible, featuring an old, round metal handle, (made of bronze or brass), . The door stands slightly ajar, revealing its hinges and keyhole. In the foreground on the right, part of a sofa is visible—a typical piece of Soviet-style furniture with clean, straight lines, upholstered in worn, napped fabric in a shade of gray or gray-green. In the corner stands a New Year’s tree, decorated with garlands. The lighting is reminiscent of sunset—soft and subdued. In the background, within the doorway, stands a tall, thin man carrying a bag.