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OldCrow

Capturing the erotic of the missed moment

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Whispers nel buio del neon: un'intimità nostalgia del corridore della lama

dreamlike vintage film photo, soft focus, low contrast washed out colour, over exposed highlights, Lisa a 25 year old woman, medium breasts, untidy long blond hair, sitting, side veiw, hugging legs, legs togther, pussy not visible, a younger sister sitting behind with her back to viewer, reeds in the background, reeds in the foreground, warm hazy afternoon light, light catching the dust, Kodak Portra 160, soft grain, warm and languid, intimate and unposed, a drowsy summer afternoon, aces not visible

creative watercolor painting soft colors, thick edges and line work, masterpiece, highly detailed, (expressive brushstrokes), smooth skin tones, in the style of David Hockney.

Two girls, fresh faced, they are smile and talking, cropped at knees.

Highly staged fine art studio photography, hyperrealistic, every detail deliberate and precise, near total darkness, large format digital, Portrait, close-up with tight framing on her eyes, Latifah, a beautiful Malaysian woman in her thirties, warm brown skin, her hair is messy and wet with sweat, expression aroused, she is looking towards the viewer, gaze heavy is unfocused, she is wearing loose dark green cotton out-door shirt, sweat on her skin, open with breasts visible. The scene is the pitch-black interior of a jungle-hide, a hint of rough matt black timber framing, a single large horizontal widow is the only light source, the dense green jungle blazing beyond the opening, the contrast between black interior and bright jungle absolute

Maxine in luce piccante: un momento da sogno in francese sbiancato rustico

Close-up with a focus on her neck, Treasa side view, small breasts, intent and absorbed, he is barely visible in the shadows, he is orgasmic, (Trease is in her twenties, wears black velvet dress, medium length brown hair, pale skin), (he is slim with untidy blond hair, his black shit hangs open), .
The scene is pitch black, Sun streams through timber-blinds creating sharp blades of warm amber light .
dust particles suspended, dark green almost black background, analogue film, soft grain

macro close-up on her face, low angle, Joanna kissing, breasts, his face is not visible, ., (Joanna wears a simple light fawn dress, dark brown hair in a bob, pale skin, her legs are toned), (he is wearing a dark blue shirt, loose, his dark blue jeans are completely pulled down), .

Relaxed and unhurried, completely absorbed, long dry wild flowers surrounding them, in the foreground an old dark blue MGB-GT car, late afternoon golden light, warm and hazy, the car soft and out of focus in the foreground, Kodak Portra 400, warm grain, slightly faded, candid and unposed, the world outside them irrelevant, the particular intimacy of a moment that belongs only to them

Fine art staged photography, large format film, dreamlike yet precisely composed, every element deliberate and considered, warm faded analog tones, Kodak Portra 160, subtle grain, the primary focus is Gretel, a woman in her mid-thirties, medium sagging natural breasts, medium length black hair with fringe, pale skin, large hazel eyes, naturally beautiful, unhurried, late afternoon, the among smooth ancient river rocks, close-up framing, she sits with back to viewer, she looks over her shoulder, next very large smooth ancient river rock in the middle of water, she is semi-submergedin the water, her gaze interior, a bald man floats in the background with thier back to the viewer, the water perfectly still in places, disturbed only slightly by movement, late golden afternoon light raking across the wet rocks and skin, the scene simultaneously real and suspended, like a memory of something
that may not have happened, warm amber and green tones, deep shadow in the gorge walls, the light finding only the water surface and pale smooth rocks

close-up on her face, Fine art cinematic photography, staged and hyper-real, dreamlike and precisely observed, large format film, Kodak Portra 160, subtle grain, tight framing, Catherine, 30, very thin figure, soft blond pubic hair, long wild tightly curled blonde hair, black houndstooth mid-thigh skirt, delicate black cardigan, breasts exposed, white pantyhose, pink canvas sneakers, just lying on the floor next to the car, staring at nothing, the stillness of someone who has given up on the evening, the setting is a vintage 1960’s Mecedes convertible with a green leather interior, dark garage, walls dissolved into black, instrument cluster casting a dim otherworldly glow across the interior, soft green and amber glow washing across her, deep shadow consuming everything beyond the car

tightly framed on her breasts, sitting sipping a glass of wine, Dream like with a soft hazey focus, Fine art cinematic photography, dreamlike and quietly observed, washed out bleached colours, overexposed and hazy, large format film, Fujifilm Pro 400H pushed one stop, strong grain, tight framing, Maxine the sole focal point, Maxine, 35, straight blonde bob hair cut just above the shoulders, white linen blouse unbuttoned, medium-large natural breasts, dark brown eyes, relaxed with easy going expression, cushions on the floor, inside a rustic French frame house, late afternoon, the heat pressing in from outside, rustic bleached white walls, lime wahsed timber floor, harsh white daylight flooding through sheer curtains, the room dissolving into blown-out whites and pale shadows, no harsh contrast, everything soft and overexposed

tightly framed on her breasts, stands holding a glass of wine, she smiles someone out of the frame, Dream like with a soft hazey focus, Fine art cinematic photography, dreamlike and quietly observed, washed out bleached colours, overexposed and hazy, large format film, Fujifilm Pro 400H pushed one stop, strong grain, tight framing, Maxine the sole focal point, Maxine, 35, straight blonde bob hair cut just above the shoulders, white linen blouse unbuttoned, medium-large natural breasts, dark brown eyes, relaxed with easy going expression, cushions on the floor, inside a rustic French frame house, late afternoon, the heat pressing in from outside, rustic bleached white walls, lime wahsed timber floor, harsh white daylight flooding through sheer curtains, the room dissolving into blown-out whites and pale shadows, no harsh contrast, everything soft and overexposed

dreamlike vintage film photo, soft focus, low contrast washed out colour, over exposed highlights, Lisa a 25 year old woman, medium breasts, untidy long blond hair, focus on her back, back to viewer, two younger sisters close behind to her left with back to viewer, reeds in the background, reeds in the foreground, warm hazy afternoon light, light catching the dust, Kodak Portra 160, soft grain, warm and languid, intimate and unposed, a drowsy summer afternoon

Heavy analog grain, slightly overexposed, warm muted tones, dreamy and impressionistic, gauzy and ethereal. The composition is a close-up, centered on the Debbie as she looks down. She is framed from the mid-torso upwards, her bent knees dominating the lower part of the image. The framing emphasizes her facial expression and upper body, while her lower body and the surrounding environment provide context. Tyana stands above her, bending in, touching her hair, cropped at waist with her face not visible., (Debbie is a young adult woman, slightly curvy figure, modest bright green low cut bikini bottoms, shorty pale pink beach-shirt open, medium breasts are just covered, shoulder length voluminous 1980s blond hair), ., (Tyana is an 18yo woman, slightly curvy figure, pink tie-side Bikini Bottom bikini bottoms, white t-shirt, brown hair), .

Fine art photography, soft diffusion filter, Kodak Portra 160, the private moment interrupted, tender and slightly breathless, the viewer as intruder, the heat and the soft light making it feel like something half remembered, 1980s feel, natural poses. Bushes completely fills the background, leaves and branches in the foreground. The image is natural with no man-made elements.

the composition is a close-up, rear view centred on the Samantha, crying out in pain, gripping sheets, kneeling, man behind her, anal penetrated from behind, man is barely visible in the darkness, An image in renaissance style, skin is smooth with a painted look.

Samantha is 24, slightly plump, busty with large natural breasts, shoulder length red head, hairy pussy, bronze colour dressing gown, catching the light, in a classical bedroom, dark background.
Extreme chiaroscuro, deep shadow, dark earthy tones, dramatic and expressive lighting. A museum-quality masterpiece.

A closeup image with tight framing, focus on Samantha's genitalia, having sex with a slightly plump man, his cock visible, man is barely visible in the darkness, her face is not visible, Hyperrealistic photograph staged in the renaissance style painting., (Samantha is 24, slightly plump with large natural breasts, shoulder length red head, hairy pussy, bronze colour dressing gown), .

gripping sheets, catching the light, in a classical bedroom, dark background. Extreme chiaroscuro, deep shadow, dark earthy tones, dramatic and expressive lighting, a museum-quality masterpiece.

close-up of Trease with a focus on her small breasts, her dress pulled aside, a gloms of her thick pubic hair, her gazes is intent and absorbed, in the foreground barely visible in the shadows a man is stroking his cock., (Trease is in her twenties, wears black velvet dress, black nylons, thick pubic hair, medium length brown hair, pale skin), (he is slim with untidy blond hair, his black shit hangs open), .
The scene is pitch black, Sun streams through timber-blinds creating sharp blades of warm amber light, dark green almost black background, analogue film, soft grain, no visible furniture

minimalist dark blue-gray background, day light is diffused through a gauze covered industrial window, Ingrid stands facing the viewer, Ingrid is the innocent young student, red hair loosely pinned in a messy bun, he has untidy blond hair, Rick is stroking his cock, his face is not visible, an easel in the background rich amber and linen tones, cinematic photography, soft grain, shallow depth of field, absorbed and private, the intimacy of creative work, warm nostalgic and timeless

Jo stands, side view, on the balcony, cream silk blouse hangs open, large breasts hang just visible, pussy visible, Extremely tight cropped image cropped just above thighs, face not visible, very low angle, creative framing, painterly and muted, soft diffused light, stillness as a presence, large format film, Kodak Portra 160, subtle grain, wide framing, Jo a woman in her mid thirties, long chestnut brown hair down to below her waist, Gray trousers pulled down, Apartment balcony, the city behind her soft and indistinct, the heavy stillness of a Viennese summer afternoon, blurred and irrelevant, pale muted tones, warm stone, bleached sky, the heat visible in the washed out palette and heavy air, diffused even light with no harsh shadows, colour drained to ivory, warm grey and pale gold

Caterina nella luce verde: sogno iper-reale

Sorelle dolorose in canne: un'estate languid kodak

Metà ricordata estate: un momento gauzy 80s interrotto

Maxine in luce piccante: un momento da sogno in silenzio sbiancato

Jo sul balcone: una quiete nel calore muto di vienna

Metà ricordo del momento: debbie & tyana in calore etereo degli anni 80

Maxine in luce sbiancata: una quiete da sogno

Erin stands talking to a man, he hands her an ice cream, full body shot, low angle and from behind, a focus on her back, ice cream stand, Fine art candid photography, 35mm film, Ilford Delta 3200, pushed two stops, warm saturated film tones, slight grain, sun-bleached highlights, voyeuristic and observational, Erin is a very cute young nudist, tiny breasts, very smooth pussy, green eyes, medium length ginger hair, oiled skin, thin lips, no makeup, photorealism, beach, sunny, telephoto lens, Greece, 1993, sunny midday light, bright overexposed highlights on wet skin and sand, warm Mediterranean summer atmosphere, natural available light, no fill light, no studio lighting

a low angle, wide angle, in the distance Joanna stands against an old dark blue MGB-GT car, she is barely visible behind wild flowers, leans on the car, dress open, pubic hair, obscured by dense flowers, (Joanna wears a simple light fawn dress, dark brown hair in a bob, pale skin, her legs are toned), Relaxed and unhurried, completely absorbed, long dry wild flowers surrounding her, late afternoon golden light, warm and hazy, the car soft and out of focus in the foreground, Kodak Portra 400, warm grain, slightly faded, candid and unposed, the world outside them irrelevant, the particular intimacy of a moment that belongs only to them

minimalist dark blue-gray background, day light is diffused through industrial window, Ingrid bending forward, Ingrid is the young student, red hair loosely pinned in a messy bun, Rick is gently fucking her from behind, his hands holder her waist, he has untidy blond hair, his face is not visible, an easel in the background rich amber and linen tones, cinematic photography, soft grain, shallow depth of field, absorbed and private, the intimacy of creative work, warm nostalgic and timeless

creative watercolor painting soft colors, thick edges and line work, rough paper texture, masterpiece, highly detailed, (expressive brushstrokes), smooth flat skin tones, Low angle, close-up, with faces cropped, A slim man at beside a pool, stroking a massive penis. Yyoung sisters, small, fresh faced, tiny breasts, smooth skin, they are smile and talking.

Simple painted background in the style of David Hockney.

hyper-realistic, highly detailed, detailed skin texture, rich over-saturated colour, sharp and timeless, Aphrodite reclines, open bathrobe printed with large vivid lemons and green leaves, bold and graphic, the fabric is thin and flowing, red lips, hair slicked back and severe, large gold and pearl drop earrings, feet with white sandals, dark pubic hair, direct gaze, composed and self-possessed, long legs, breasts, ancient lemon tree, the real lemons of the tree echoing the printed lemons of the dress, the woman dissolving into the tree, dress and background merging, background is a simple textured vivid yellow wall, deep shadows, pale stone paving

monochromatic grey, warm grey tones, almost no colour in the image deep shadows, The lighting is dramatic, casting chiaroscuro shadows, very low angle, Eugénie she squats to the left, back to the viewer, looking down adjusting a small vintage Hasselblad camera, taking a picture

Eugénie is a woman in her early forties, grey bob with a fringe, loose gray transparent cotton dress, pulled up, (in the distaince an 18 year old voluptuous woman nude, posing on hands and knees with buttocks to viewer), calm and unhurried, completely in her element, analog grain, quiet and observational, Simple almost black background

a young woman leaning against the bonnet of an old rusted abandoned car, head tilted back, eyes half closed, expression distant and languid, long dark hair loose and windswept, breasts exposed, black clothing dissolving into the dark foreground, the car heavily rusted, pale paint peeling, round vintage headlight prominent in the frame, the car filling the background behind her, overcast flat grey sky, bare autumn trees dissolving into soft bokeh, cool and muted tones, rust and pale grey palette, analogue film, heavy grain, scratches and film imperfections, Kodak Portra 400 underexposed, cool and melancholic, shallow depth of field, the woman sharp against the soft dissolved background, quietly devastated, the rusted car as metaphor