A cinematic portrait, black gossamer in the foreground obscuring the subject, Heavy analog grain, vintage film, fade washed-out colour with hint of yellowing, warm and chiaroscuro, deep shadow consuming most of the frame, the highlights are overexposed and almost white, soft indistinct shadows, soft focus with extremely shallow depth of field. Two yyoung women lie on a hay bale, embracing, kissing, (simple pale fawn linen dress with embroidered detail, short sleeves, open with tiny breasts), lifting her dress, her hand is under the dress, completely absorbed in her own thoughts, unaware of the viewer. An almost pitch-black background, the barn darkness absolute, a single shaft of warm light finding her from one side, catching her pale skin, the white dress and the loose straw, everything beyond the light consumed by deep shadow. The hay dark and with just hint of golden where the light finds it, darkness pressing in from all sides, the figure emerging from the black rather than sitting within a space, heavy grain amplifying the darkness and the warmth equally, warm amber and deep black the entire palette, the light the only reason she is visible at all.