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Photorealistic interior of a Soviet grocery store in 1985. A real Soviet grocery store with peeling tiles on the walls, faded price tags, glass display cases, almost empty shelves, a queue in the background, subdued yellow lighting, gloomy atmosphere and documentary style. A 48-year-old saleswoman stands behind the counter. She is plump, with wide hips, a pronounced waist and huge breasts — really huge. It weighs more than 100 kg. She's wearing a rumpled white lab coat, modestly buttoned up, a short perm, and an angry expression on her face. She shouts aggressively at the customer. She gestures, her expression is stern, and she has the tired look of a Soviet worker. With a sharp movement, she unbuttons her coat, revealing her huge, sagging breasts to the customer. When she moves, the top buttons of her coat fly off. On the counter are old Oka 4000 mechanical scales with metal weights, packaged sausages, paper bags, Soviet price tags and parts of an old cash register. A thin intellectual stands in front of the counter, and next to him is a slender, nervous customer in an old worn-out suit and a vintage fedora, with a modest posture and a confused expression on his face, who holds his wallet in his hands and argues after being cheated with weight. There is a strong emphasis on authentic Soviet clothing, textiles, shoes, hats, household items and details from the 1980s, an atmosphere of scarcity and rough maintenance, as well as social realism. Cinematic, high-detail, realistic skin textures, film grain, analog 35mm shooting, natural colors, clear focus and depth of field.