An 18-year-old plump Korean woman, with long messy hair falling down her back, her drenched white strapless zip-up sweatshirt clinging to her taut curves and her V-shaped swim trunks zipping down to her hipbones, lies sensually on her side on the splashing Waterbomb stage. Her red cheeks beaded with sweat, half-closed eyes slightly open red lips nibble fingertips, behind the god like Jennie's 18-year-old South Korean woman naked embrace, in the Kodak Portra400 film grain texture to kiss her ear, neon halo and the slow door of light traces of the interweaving of Wong Kar Wai-style erotic aesthetics, film burn traces of the 80s indie film with the original poetry in the dense fog of water solidified into a surreal image.