Female subject, seated, body angled three-quarter to the left of frame, head turned further left so the face is in profile-ish three-quarter, eyes cast down and to the side like she's bored or being studied. Hair is auburn-red, long, slicked way back and up off the forehead at the crown then falling loose past the shoulders, side-parted, that teased 70s/80s volume. Face, pale skin, dark kohl eyeliner smudged out, pinkish nude lipstick, a wash of rosy flush across both cheeks and the bridge of the nose, a tiny white stud in the visible earlobe. Mouth slightly open, neutral. No smile. On the body she's wearing a single-piece satin wrap dress, long sleeves with a puffed, gathered shoulder cap tapering to a straight cuff at the wrist. The fabric is a shiny, slippery satin with a champagne-cream base crossed by faintly darker gold diagonal stripe bands, the sheen catching light down the center of the chest. The neckline is a deep V wrap, the two front panels overlapping across the bust and cinched at the natural waist by a thin flat sash of the same striped material. Below the waist the skirt pools and drapes over her seated thigh, all the same glossy striped satin, folds and highlights running down the leg. Around the neck sits a single strand of small white pearls, sitting flat against the collarbone. One bare forearm drops down the side, hand planted on the edge of the seat, fingers curled over the front, knuckles and nails visible. She's perched on a light-colored upholstered seat or stool with a dark post/leg showing under the hand. Background is soft and out of focus, a pale gray-green wall, and to the right a dark, almost black, tall vase or jug holding a spray of white flowers with open trumpets and bare stems, (calla-type), . The whole frame has that old film still look — grainy, slightly faded, warm color cast, dark border around the edges.